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Jack Flash talks to The Hip Hop Village
Jack Flash talks to The Hip Hop Village
30.06.2010
THHV - To those that don’t know you how would you describe yourself and your sound?

Primarily I’m a lyrical dude. I’ve been described by a lot of people as someone who spits about what’s going on, you know, I’m not scared to address any topics. On the music side it’s grounded in boom-box hip hop but its constantly elevating to more experimental sounds and I really try to make my music more interesting. I’m a real energetic, come alive – live performer. I’m a real passionate dude when it comes to it and on stage it’s quite obvious.

THHV – Do people refer to you as a white rapper or has rap finally crossed that race bridge?

Sometimes. Yeah normally white people refer to you as a white rapper (laughs) that’s what I’ve kinda noticed – for some white people it’s a bit of an issue. For real hip hop heads - the fact that the culture has become wider – and this generation is probably more mixed in terms of culture than ever, I think it’s widely accepted.
Have we crossed that bride? To be honest yeah I think we’re kinda there. I just came from New York and if there was a problem with a white guy not being received very well - a lot of people would expect that New York would be where, but you know it was absolutely on the contrary. The amount of love I got out there, from the real hood guys, from the real hip hopers was…it was just straight love man – you know what I mean?
The more I look at it I think the stereotype of race exists more in the mainstream culture than it does on the street level. In hop hip, if someone is nice they’re nice. The labels are the ones marketing stereotypes rather than skills. It’s a tough question but all I know is that when I tour I share a mic with MCs of all different colours and the only thing that matters to any of them is the crowd and how well they can spit.

THHV – I ask this question to everyone. Are you a “braggadocios” rapper like Jay-Z or more a story-teller like Talib Kweli?

There are certain MCs that when I listen to them I can kind of see what is motivating them at that time. Like now in 2010 when you listen to Jay-Z its like he is doing it to prove that he can still do it – not really pushing any boundaries or saying anything of any real relevance. Not to hate on Jay-Z or anything but that is what is happening.
But if you pick up a Talib Kweli CD he is still really talking about issues, he is still trying to cram as much lyricism in there. He is still trying to show you different sides of his personality. So I would definitely put myself in the Kweli, Black Thought (The Roots) school. If we are gonna have to put people in boxes…then yeah definitely on that side.

THHV –You perform with such energy. What does it mean to you to perform live?

For me it’s where everything manifests. We can write and we can cipher and we can politic as much as we want about hip hop but on stage it’s like freedom. I can’t explain it. I have this thing in my mind when I perform. If I’m consciously thinking too much, it’s never a good thing. I need to – like – just be with the moment and let it flow. That is always the sickest show for me in terms of what I do and in terms of crowd reaction. There is something weird about the stage where you just have to hand over to the moment and that’s when it happens.

THHV – You won the EOW. How has that affected you as an artist and your profile?

Man yeah it has affectedly me massively. In terms of the network that I’ve now created it’s mad. They already swung me out to a Jam in France; I had New York and next month Germany so I’m travelling again. It’s like, real recognises real, so when you got an MC that’s got skills or an MC that can spit they gonna keep on asking you to come back – so that’s legitimate. The motivation for most of the people involved in EOW around the world is more skill orientated than anything else. They make you feel at home. When I was out there in New York I was getting invited to people’s houses, having dinner with their kids and stuff. It was straight love man.

So in terms of what it does for you – it sends you to loads of different places, meet a whole different bunch of heads and that has it’s knock on effect – that makes you think – hell we can take it anywhere man, we can do anything. And now you get to carry this title of EOW World Champion. You know most people don’t even know what the EOW is they just hear World Champion – so it legitimises what you do as well you know what I mean?

THHV – I love that thing you did with the coat hanger in the bag at the finals of the EOW. Do people really freestyle anymore or is a freestyle really just a pre-written verse with no chorus?

(laughs) The last few years that’s been a huge thing where it’s like “so and so freestyle” but then you can place that verse to an actual track that they’ve done and it’s like “oh come on man”. I realised this the other day – I had a little thought about it and its like freestyling in some circles even gets a bad rap. So you get some MCs that go “Nah man I don’t freestyle – you crazy? I don’t freestyle” but it’s like only the MCs that can’t freestyle that seem to have an issue with it.

I honestly think that freestyling is one of the best fitness things an MC can do. Like some one who is a runner might go out and train? It’s exactly the same for an MC it’s like freestyling is your training. It improves the way you think. It improves the speed at which you think. Then it improves your vocabulary. You build more words in there then you take your pen to your page and you start writing it has it’s affect on what you do there. I personally train, practice everyday. When I met Big Zoo from EOW in the States he was one of the best freestylers I had ever met. You could tell he was freestyling because of the relevance of what he was saying but just the level and the skill! It was that good it could have come off a written verse. I had to step out of it for a minute because I was that blown away.

THHV – But isn’t freestyle and battling how we determine who has the greatest rap skills?

Exactly. But which MC do you know that is going to have the balls to go on live radio and try and kick a free style. I mean, we can go in to all the bravado and balls but very few people have got the balls to do it. I just do it man. If it flops on radio it flops but at the end of the day I got the skills to do it. They should try it man. Real legit freestyle.
THHV – You posted a video from New York, Times Square – what were you doing there and how is the British Rap Scene holding up?

I was over there because I won the End Of The Week World Championship last year and I went over there because they held an EOW over there. They held live shows and radio interviews and everything. I ended up putting a track together with a producer called JS1. I love it out there.

In terms of the British scene over there. Those who are searching for different sounds certainly know about it. One of the radio stations I was on – we had a conversation about some of the MCs that are blowing up over here, but it’s New York – they’ve got and seen it all and they really focus on New York and the States, but why wouldn’t they - it’s a big playground.

THHV – That picture of you on Sound Of Colours is pretty intense - it scared me - tell us about that and Sound of Colours what is it about? How long did it take?

I decided I wanted to put out a free project. Its been so much fun to make. I did everything myself, I mixed it down myself. It took about 3 months. Although I used different producers I recorded most of it with my friends. It was crafted out of tracks that hadn’t been fully recorded and beats that I just had to write to.

Sound of Colours is like…. I actually found it, it’s called ‘Synaesthesia’ it’s like – every piece of music for me that I listen to - is represented by a colour. In my brain – I don’t even have to be hearing it, you can just name a track and I see the colour of it. It’s always the same colour for the same track. Any track I ever heard through history, you can ask me like – what colour is this song and I’ll be like, “oh that’s green” or “that’s a light shade of blue” or whatever. So that’s kinda what it represents on one level. The white is the music going in one ear and the array of colours coming out the other. On another level, its like I take something before it goes into my mind and it might just be one pure signal, but then like, my imagination will convert it into a full spectrum.

I didn’t want to put an album out because I’m not in a position to do that properly yet. I want to be under a decent label where I got some backing and I got some budget. In the current circumstance that is not what I have so I thought ok, let me just put something out that I can push. You know, to let people know that there is something out there that you can pick up now for free.

THHV – You also have a series called Jack Flash 24 tell us a bit about that?

Yeah… I knew that as soon as the Sound of Colours project was finished I was going to have to get on my promotion and push it a bit. I was going to have to be touring and doing shows. I needed something that was going to tie me down to writing. I love writing and know that if I got too caught up on one side then the art would not get done so I made my DJ pick a different beat every week so I never knew what was coming and I’d write a fresh 24 bars. So for 24 weeks, every week I was given a different beat and I’d write 24 bars to it.

We put it around the theme of the TV programme. If you listen back to them you can hear like references to things that were happening at the time. I think around the 12th week if you listen you’ll hear me mention Guru being awake from his coma and stuff like that.

THHV – Some beef recently kicked off on Twitter between two rappers and the core of it was “Pop and Money” v’s “Hip Hop and the Streets”. You touch on this subject in King of the Hill. What is your view?

My view is that hip hop is very impressionable. It has the potential to empower people or on the flipside oppress people by its limited views. If you take hip hop as a form of fun, entertainment and display of lyricism and skill that’s great but it also has to have a message. Inevitably when you make a song about any concept you’re gonna be spreading a message. Now that message is up to you. You can either tell the people “you are you, yourself” and inspire them to get out there and be something or you can be saying, “try and attain wealth, try and attain riches because that’s all there is in the world”. Those are the two ends of the spectrum. If you glorify one thing too much in terms of image, you are selling that image to the kids. If you spread knowledge on the other hand you could have all sorts of effects on the young. I remember it happening to me when I was younger – I was affected by it.

THHV - Are the labels to blame?
Yeah absolutely! They are not even selling to the hip hop heads; they’re just selling to anybody. The labels sell an image, a stereotype and people that are short sighted will buy that. I’m not even blaming the individual because they might just be a little ignorant or maybe just thinking this is how I get paid.

THHV – Ok you are in a band called Extra Curricular. That’s a live band right? When do we get to hear this new sound?

This is what is up with me. I’m seeing through this group that we are reaching a wider audience. I can bring what I do to wider places. Musically it has really broadened my horizons. Working with live musicians and extremely talented ones. Ater you spend like six months with them – you start understand music differently. I remember coming back after nine months after seeing my bass player every week and I now never have a problem programming my bass lines. I don’t play any instruments but I’m learning all the time about so many things from these guys. I just spend three months in the studio with these guys and it has been the best creative time I ever spent in my life. Me and the other front singers, Thabo from Zimbabwe and Ruby who is a female jazz singer make a mix that is…. I love it. We are looking to put a single out at the end of this year.

THHV – So what is next for Jack Flash?

I can’t tell you for certain exactly but for the next 6 to 12 months I’m going to be putting into Extra Curricular, getting as many live tour dates as possible. I’m still gonna have a web presence and put out new things on the internet, build my own fan base, do my own shows and finish promoting The Sound of Colours until all the CDs are sold and all the flyers are handed out and yeah….just try and stay relevant. I’d love to put out an album under a good label and I think my time will come. But right now…. It’s just push, push, push.


Interview by Sam Welbeck

Chima Anya talks to The Hip Hop Village
Chima Anya talks to The Hip Hop Village
27.05.2010

Q - The name Chima Anya is unusual, it’s an Igbo (Nigerian) name right? Does it mean anything?

A - That’s right. It means…. God knows I.  Chima Anya (pronounced Cheema An-ya) means…..’God knows I’

Q - So then you’re parents are Nigerian?

A - My Dad is Nigerian and my Mums Romanian.

Q - So, Chima, for anyone who has never heard of you, how would you describe yourself as an artist and what makes you the ‘one to watch’

The reason I’m the one to watch is because I have the substance and the foundations of a more traditional Hip Hop artist…but at the same time I’m fresh, I’m cutting edge… you know what I mean? I’m avant gard…you get me?

Q – I think I do. I mean… listening to your tracks I can hear a definite return to the more traditional beats and sound of hip hop. Why have you not subscribed to the modern electro-pop sound?

A – Because that stuff is terrible man! Pure and simple. I don’t want to… It wouldn’t be fulfilling for me to be on stage and performing those types of songs… you know what I mean?

Q – So you’re not at all into modern or alternative…or…?

A – I do! I’m a music lover. I got all types of songs. I got Radioead, I got Marvin Gaye, I got Red Hot Chilli Peppers, I got Big L, I got Big Daddy Kane… I just like GOOD music – full stop. And this…as you put it…. this electro-pop, Euro, Vengaboys stuff…its just terrible man, you know what I mean? You can just bang it out on any Casio keyboard in 3 seconds…you don’t need any real musical talent to get with it, you get me?

Q - When did you start rapping and how did you get involved?

A – I started rapping when I was 13 man. When you hear it and you love it, you start making it. It was just crazy the way I went it to it – you know what I mean?

Q – And who were the people that inspired you at the time?

A – Er…well… you know when I was 13 I didn’t know much better, but they were still much better than the kinda rapper you got today… but to be better it was Mace… it was Harlem World. That was the first album I got man.. and I knew all the words… all the lyrics to that (laughs). Then obviously I went back, you know/. I learned about the 80s the 90s the late 70s, but at that particular time it was pretty much Bad Boy man.. you know? P.Diddy and the family, you know? But as I grew up I started taking influences from other rappers like Big L, or Jay-Z, which is where I think I get my more kind of charismatic, witty, kind of approach to writing raps from.

Q – What kind of rapper did it make you. I mean you mention Jay-Z so would you put yourself in the Common, Talib Kweli, Mos Def Camp or the Jeezy, Jay-Z, 50 Cent camp? Are you conscious or glam Hip Hop?

A - (Laughs) Me? You know what?... I’m just like…I don’t know how to put it man.. I definitely would not put myself with the Commons, the Mos Defs and the Kwelis cause they just come across self-rightuos to me man. To be honest…. they come across like they’re full of shit. You know.. as a man that can look at a situation ( think he is referring to his doctorate)… I’m not about preaching to people. If you listen to the album – I’m dealing with issues…but I’m not preaching.  To be honest I would align myself more with the ‘bragadocious’ the Big L type rapper, the Jay-Z rapper… you know? I mean New Day (his album) is like “Things about to change/First the President was Black/Now the sickest rapper qualified in medicine and that..” its like ‘yo right fine, I’m a doctor, I’m a professional…. but I’m better than you brov, you know what I mean? So I’m still coming with that realness, that substance, that knowledge if you will, but I’m not like these other conscious rappers. I don’t feel they have the charm and the charisma that a man like myself possesses. I mean people have told me…”yeah you’re like a… Common” they have made those comparisons…

Q – Maybe what they’re saying is that you don’t rhyme for the sake of rhyming. A lot of what I call ‘glam hip hop’ rappers do that, whilst conscious rappers tend to deliver a message – what do you think?

A – Yeah ok but if you look at rappers like Jigga.. I mean he don’t rhyme for the sake of rhyming.. I mean if you look at an album like Reasonable Doubt the guy is talking some real shit bruv… you know what I mean? There’s some real insightful, reflective lyrics on that. Which is why I think those conscious artists?....to me...its a faze. I mean apart from Common, I don’t think any of them have kept the momentum that they had back then. Most put out I don’t know how many terrible albums. His last one was ok, but I mean, every time he comes to London and he performs everyone is just like…it’s the shittest thing they’ve ever seen. Talib Kweli came over here and embarrassed himself as well. As far as I’m concerned there was Black Star, then there was Train of Thought and I’ve not checked for anything else… you know what I mean? Common? Yeah Common was lucky – he managed to be from the same city and Kanye and Kanye picked him up, otherwise I don’t know what would have happened to him. I can’t align myself with that sort of rapper at all man. That might should a little funny when you listen to my shit and kind of see the thing I’m coming on…. But it’s the subtlety in my style which separates me.

Q - Ok, lets get down to the doctor part, because you know you’ll never do an interview which does not talk about the fact that you’re a qualified doctor! What reactions do you get when people find out about your day job?

A – I mean… generally it’s surprise. It’s an interest. I mean, you get some people that might think like, “who the hell does he think he is but for the most part – it’s a positive thing. I’m happy the situation is how it is.

Q - Are you a Doctor that raps or a rapper that spent 5 years studying how to mend people? Which comes first?

A – I’m a doctor that raps man… you know? I gotta be realistic in this current economic climate (laughs) you get me? But you know what? Rappers with 10 times or 20 times the profile of me, do not have the economic stability that I have. So you know unless I become the next Dizzy Rascal or 50 Cent there is no way I can turn around and say I’m a rapper before I’m a doctor.

Q – You mention the economic situation, which leads me to the fact that in the past you have mentioned that you don’t rap for money. What is the motivation behind what you do if it’s not to get rich? And how far are you willing to take it?

A – I love this shit. I love it. That’s why I do it. Bottom line. Listen to the album man… I love Hip Hop. I’m not sitting here saying I don’t wanna be a rapper. If the opportunity presented itself and it was like a career that could feed my family and support me until I’m 80 years old then of course I’d take that. But Hip Hop is a bad genre for longevity. I don’t wanna be 40 and be hustling shows for £500 in some random corner of Europe. I think I’ll always be making music. But the people listening to me now are not your chart followers, they are people who like good music and they will always search for me. It ain’t gonna matter that I’m not in the Top 40. I mean, there may be times… like in a little while I got some pretty heavy exams coming up and you might not hear from me for a while, but then I’ll be back and you’ll be like “oh yeah man…man’s back – you get me” (laughs) so I’ll always be making music.

Q - Ok so let me move on to your Debut solo album New Day, which was released this month. Why did you call it New Day and how would you describe it?

A – It’s called New Day because basically I feel for the first time in UK Hip Hop there is now an artist that is different from anything there has ever been before. Its still UK hip hop….its still got that boom-bap….. it’s still traditional, but its fresh…the guy on the mic is a doctor… there’s a certain amount of charisma, vibrancy, bounce. There is a certain amount of cool that wasn’t there before, you know what I mean. Rappers back in the day they were either grimey, or they were angry, or they were depressed, moaning, or they were quirky. There we’re no cool m***** f******s, you know what I mean? So I’m like, yeah….. I’m a cool m***** f*****r (laughs) you get me? How would I describe the album?.... “Old school back in a new way”

Q - What is your favourite track and why?

A – Oh man… everyone always asks me this question and its difficult man… I like ‘em all man…if forced to choose I’d go for… theres a track on there called ‘Paid For’. Because of the structure of the song, like, technically I think it’s an impressive song. It starts with the death of a child then it moves on the life of an old man then it reverts to my life. Everything just fits perfectly…musically I think the mood has been set. It’s a song that I think has the potential to transcend ages. I perform that song accapella when I do shows and like, 60 year old white men have told me ‘…Yo I enjoyed that song’, you know, and 14 year old will go mad and like, they like it, you know what I mean? To affect all those people…its like… that’s what its about man. Music with a message that everyone can appreciate.

I have 2. The first is “Paid for” because of the realism and the other is “Spell It Out” because the flow is sick! Tell us about spell it out, what was the inspiration behind that track?

The concept of ‘Spell It Out’ was to create a kind of Big Daddy Kane – “Warm It Up Kane” you know, just a man rapping but at the same time we made it the first track because we wanted to let people know from the beginning what we’re about. That’s why the intro goes ‘This is Hip Hop.. like a million times”

Q - You rep Oxfordshire – that is a first in my mind for hip hop. What is the scene like in the Oxford?

A – No doubt. You know what? Up until like, 5 or 6 years ago man the scene was bubbling! You had artists coming up from London and from overseas. It was in Oxford that I was supporting artists like KRS-ONE, Flava Flav and Amp Fiddler. So it definitely had a positive scene a few years ago but now everyone has moved away. I live in London now. Astro-Snare who produced the whole album he lives in Bristol and…its just really died down. I keep my ear to the ground, you know, looking out for the new rappers but if I’m honest no-one is really doing it in Oxford right now.

Q – You mentioned some big US names there which brings us to the question of US verses UK hip hop. Can the UK ever take its place amongst the US greats?

A – I definitely thin kit has the potential to. But I don’t think in the current state of the UK industry it’s going to. I think a lot needs to change. Even with the rappers that are making number one now in the UK… I mean there’s no way you can can ever hold a Tiny Tempah or a ChipMunk in the same regard as Notorious BIG or a Tupac or a Jay-Z or a Kanye West.

Q – Why is that? Are they just not as good or is it that we just don’t have the backup in the UK to market these artists globally?

A – They’re just not as good man. You know what I mean? They don’t have iconic star quality. There’s that intangible thing that makes someone a star. These guys aren’t superstars they’re just like…..kids. When Biggie died he was like 24 years old or something, but when you hear him on a tune he doesn’t sound like he’s a kid on a tune. You know what I mean? These dudes are just making music for kids, but I guess they have to because Radio 1 just caters for a certain demographic; those with disposal income. No-one (here) is making tunes with any real substance and I think that is what it is. If they come up with a tune with some real substance then I suppose so.

Q - What is next for Chima Anya?

A – Next? Making sure everyone knows that this album is out. I got various shows I’m preparing for the UK. Also there is a new mixtape dropping soon…at the moment it’s called “Your Blog is Shit” but I might change that…. (laughs)… yeah so look out for that in the near future.

 

Interview by Sam Welbeck

PROFESSOR GREEN INTERVIEW
PROFESSOR GREEN INTERVIEW
27.05.2010

Hey how are you, what’s going on? 

All good man, just out walking the dog.

When did you first start rapping?

When I was eighteen.

Had you always been a big hip-hop head?

Yeah since I was like nine or ten, Biggie was the first artist I really started properly listening to.

Who else were you listening to when you were growing up in those early years?

Jay-Z. Wu-tang. All the kind of ‘Golden Era’ stuff really. American hip-hop from like ’93 through to ’97.

What do you enjoy more, the spontaneity of the freestyle battle raps or the structured process of creating studio tracks for albums?

You know what, the spontaneity exists in all aspects, it’s just different in the studio, because, you know, you get that one idea that ends up writing the whole song. So it’s all kind of one and the same to me, I approach everything with the same kind of head space. 

So when you’re working on stuff in the studio do you have bars written down on paper to take into the booth with you when you go to record?

No, what I’ll do when I get the beat I’ll go round stuff in my head. Wait until I got my first two bars, make that into four, sometimes I’ll get an eight if I’m lucky and then I’ll put that down so I don’t forget it, and then by the time I got that eight bars in my head I’ll start on the next two, and the next two after that. So by the time I’ve written my verse, I’d say I don’t need to take the paper in the booth because I’ve gone through it so many times that it’s in my head. It might change a little bit from what it was on the paper when I get in the booth but that’s normally just, you know, it usually ends up fitting better that way. I think that way you just get more of a feeling for the track rather than just forcing something.

 

Do you ever try to cater for your underground fans differently to your mainstream fans? Like, your F64 is worlds apart in lyrical content from your successful commercial song I Need You Tonight is this intentional?

I’m still rapping the same on both tracks. The thing is, I can’t rap one way all the time because I have different ideas and as a person there’s different sides to me. The foundations of the song and the F64 are the same. Rhyme patterns, flows, and there’s a little bit of humour involved. I couldn’t have rapped like I did on my F64 on I Need You Tonight because the concept of I Need You Tonight was of a girl giving me the run-a-round. So I can’t talk about ‘pissing in mouthwash’ in that song, you get what I’m saying? So it’s different sides of me, I don’t consciously try to please anyone. I rap for myself.

The last few months must have been pretty whirlwind for you, pretty much since last summer, how are you coping with the new, high-profile fame that you’ve been experiencing. I saw you rapping with Tubes the other week on Soccer AM, how are you finding these types of new experiences?

It’s crazy man, you know. I’ve been working at this for years but it’s all changed over night. At the same time I haven’t come out of nowhere, I’ve put in a lot of years into this. It’s funny, I was in a club not so long ago and I thought, these people don’t know me yet, and now, it’s a very different situation, it’s weird, like, it’s definitely taken some adjusting to. My face is bait now. I was number one in the TV charts for like two weeks and I was very high up in it for I don’t know how many weeks, so when I walk about now, I feel the difference. And’s it cool, because in the most part it’s love but at the same time it’s a bit scary. It’s weird because so many people know my face and I don’t know them from Adam. It’s gonna take some getting used to and I think we the next single [Just Be Good to Green] that’ll become even more apparent.

Your new album Alive till I’m  Dead is out when?

July.

What can we expect from this?

There’s quite a lot of dark undertones but there’s enough upbeat stuff on there for it to not be depressing. Even in the darker tracks there’s a tint of humour behind them. It’s an honest record first and foremost, it’s not trying to be nothing it isn’t, I’m just trying to make the music that I like and appreciate and I listen to a lot of different music so there’s a lot of different influences on there. I’m really excited to get it out because people haven’t really had enough of me to really know what to expect.

Do you have some high-profile collaborates on the record?

Lily’s on there. Mike Skinner’s on there. Think’s on there. Emeli Sandé’s on there. I did a track with Labrinth. I’ve got a track on there too with Example which was a late addition.

What’s the next single you’re dropping?

Just Be Good To Green featuring Lily Allen.

Pro Green + Lily Allen - http://www.youtube.com/watch?v=U00bBjeZI3E

How did the link-up with Lily come about?

That happened through Facebook man, she just popped up on the chat and I said hello. She was somewhere in Europe at the time and had been with Skream and Benga the night before. We got onto talking about music and I mentioned that I’d paid the usage for the lyrics of Don’t Be Good To Me and she was like, ‘What? That’s my favourite song ever, let me hear it.’ I sent what I’d done over and she said, ‘why don’t you let me sing the chorus and we can perform it live together at festivals’, and that was literally that. She’s lovely, she’s a good girl, you don’t meet too many people with that sort of honesty.

I take it you’re going to have a busy summer lined up then, mashing up gigs and festivals?

Yeah man, my summer is madness. An absolute madness! Recently it has been a whirlwind. This month I’ve got something like twenty-one gigs, amongst that there’s all the promo that’s gonna start for the next single, it’s just gonna be mad. Probably the three biggest festivals I’m gonna be doing are Sonar in Barcelona, Wireless and Glastonbury.

Obviously you were a part of the now infamous ‘The Beats’ label. In those early days did you learn a lot rolling with the likes of Mike Skinner and Ted Mayhem?

I learnt a load from them days, as much how not to do things as actually how to do them if you get me [laughs]. That situation was a massive learning curve for me and although it ceased to exist, everyone involved had the best of intentions.

Do you have personal ambition to break America?

I’d love to man. William Morris who look after GaGa and that kinda level of artist are banging my door down trying to get me over there. They’ve sent over a year-long plan, like, literally a year long schedule with all the dates that they wanna book me for. I’m really interested to get over there but I’ve got business to attend with here first because I’m starting to do Europe now as well. It’s just about taking things one step at a time, and putting things in their place and making sure everyone gets the right attention and things happen at the right time.

In your F64 you open the rap with, ‘Beginning to think I might need a wifey, Dating all these women is getting kinda pricey’, I’m interested to know what is the most expensive date you’ve taken someone on?

I don’t know. I spend a lot of time in Shoreditch House and places like that which tends to end up costing quite a lot. You get a few of bottles of wine in, and you have a meal, and cocktails, and all of a sudden it can get quite dodgy.

F64 - http://www.youtube.com/watch?v=1ddj7zY9QLo

What’s Pro Green’s favourite ‘type’ of women?

Oooooh Jessica Alba would be a great representation. I don’t really go for blondes that much.

That could be bad news to some of our female readers…

But at the same time I’m not into prejudice, so if I meet the right blonde it can happen.

What do you do to relax and unwind?

I don’t get time at all at the moment. But, yeah, just mundane stuff like walking my dog, doing the washing up and the cleaning, stuff like that. You know, doing stuff where you’re not actually thinking about anything else, you just get a break from thinking about work. Like, with a nine till five there’s a shut-off point. With what we do in music, you know, my brain’s always ticking over, I’m always thinking about what I’ve got to do next and what I want to do next.

Will you be taking any notice of the World Cup?

Yeah definitely, I’ll pay it attention.

Any little prediction regarding England’s chances?

Yeah, I reckon we’ll get pretty far along the way, maybe the Semi-finals or Final. But you know it always happens that we’ll go out on penalties. It always happens.

Where can people stay up to date with the latest happenings in the world of Professor Green?

Best place would be ProfessorGreen.co.uk and that’s got links to my twitter, my Facebook, my MySpace and everything else.

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